6:41 PM
- Man’s Law, Baldric Reinhardt, Minister of Propaganda
Augusta is not an animal.
She does not often eat meat. The texture does not appeal to her and neither does the scent. Meat is a luxury, one she rightfully deserves, but there are little grasslands left; the green areas are far apart and difficult to find, so the compounds serve what the desert can offer – snake, black-tailed rabbit, addax, and, when lucky, camel. No amount of simmering or collection of sauces can change the toughness. She takes small bites that she swallows without chewing and turns her attention to the fruits and vegetables.
Albtraum, as the leading compound, has top priority when the trade goods come in from the mountains in the West. It is there that she can enjoy the richness of avocadoes and the distinct raspberry-sweetness of plump blood oranges. She digs her fingers into their rinds and peels them until her hands are red with the juice. She sprinkles salts on palm-sized tomatoes and bites from them directly, the way others eat apples.
She likes strawberries because they remind her of miniature hearts. She eats them whole and takes them dried into the desert when she must journey. She stores them in pouches or flavors her canteen water with them.
Maximus and Harrow are carnivorous by nature. They prefer their red meats rare. They savor the taste of their meals with accompaniments of tumblers of whiskey and cigars.
Augusta drinks daintily from martinis that are orange and red. It takes her an hour to finish one, but she fishes the cherry garnish from the glass each time, toying with the fruit on the tip of her tongue.
-
This is the desert.
This is the waste of scorched earth. A stretch of despair bracketed between mountains.
This is what the world does: it scalds you into a waif, until you are the imprint of what you once were, until you are not what is supposed. Until even your enemies cannot see you fully.
She is known, at varying time, as the eldest Vries, the widow Reinhardt, the Minister.
There are things about her that others would find surprising because they think of her less as a woman and more as a machine. Since Augusta does not bleed in front of them, they have forgotten the bruises inside of her and the wounds she was forced to cauterize on her own. They take her in as a whole and fail to see the construction that she is – the affectations that piece together her particular puzzle.
Her husband had done this. He was a historian before he was honored with the position of Minister of Propaganda, and she was not unhappy with him, most days. She was too young, and he was too old, but she listened to his stories and read his books. She sat in his meetings in silence, recording notes in her efficient shorthand. She was silent too when she suffered the weight of his nighttime visits. But she waited and she learned.
When the accident happened and Augusta caused her own scar on her stomach, he stopped taking her bed. He had bastards, like her father and his father before him, and they ate on silver platters and discussed everything but their own infidelities. She was a trophy, tarnished only where others could not see, and he had not taken her for anything more.
He mistook her silence for acceptance. Her cunning for camaraderie.
Harrow does the same while she is married, and it isn’t until she inherits her husband’s title and acquires Maximus’ respect that he begins welcoming her begrudgingly with a tight jaw and hardened eyes.
He sees her linen dresses and impractical heels and knows her only as an incompetent usurper. He sees her resurrected beast and thinks her a fool.
Like all of the men of her life, Harrow does not know that she is the most adapted for their burnt world.
Only she has been left unblinded by the sun.